IFPI國際總會關於音樂產業的全球資訊

一、 我們在拉丁美洲的最新活動的最新情況。
我們與邁阿密的團隊和該地區優秀的國家團體合作，於昨天下午推出了 JusticIA。您可以在此處找到我們的網站，並通過我們的社交媒體渠道關注該活動。
該活動圍繞著拉丁美洲 35 個創意和文化組織組成的聯盟建立，這些組織簽署了我們的聯合聲明。
該聲明敦促政府、科技公司和行業領導者保護和維護作者、藝術家、製片人和出版商的知識產權。
關鍵原則包括尊重著作權、人工智慧使用工作的透明度以及承認人工智慧是一種強大的工具，但不能取代創造力。
邁阿密團隊還舉辦了一場精彩的發布網絡研討會，他們聽取了該地區藝術家和高管的聲音，我們正在研究如何繼續部署該聲明。
就像歐洲的 Stay True To The Act 運動一樣，藝術家的參與一直是一個關鍵因素 - 您可以在這裡找到支持該運動的藝術家範圍。
我們將繼續發展這個聯盟——我將及時向您通報正在進行的事態發展。

Just thought I'd drop an update on our latest campaign in Latin America.
Working with the team in Miami and the wonderful national groups across the region, we launched JusticIA yesterday afternoon.
You can find our website HERE- as well as follow the campaign via our social media channels.
The campaign is built around a coalition of 35 creative and cultural organisations across Latin America who have signed our joint statement.
The statement urges governments, technology companies, and industry leaders to protect and preserve the intellectual property rights of authors, artists, producers and publishers.
The key principles include respect for copyright, transparency with how AI uses work and acknowledging that AI is a powerful tool but cannot replace creativity.
The Miami team also hosted a fantastic launch webinar, where they had voices from artists and execs from the region, and we are looking at how we can continue to deploy the statement.
Like the European campaign of Stay True To The Act, artist engagement has been a key element - and you can find the range of artists standing behind the movement HERE.
We will continue to grow this coalition - and I will keep you posted on the ongoing developments.

二、 IFPI在印度

IFPI 還在夏季繼續其實地努力，參與了上週的 All About MusicConference。
前往孟買後，Vikki 在會議上發表了主題演講，強調了我們圍繞人工智慧和音樂的一些關鍵訊息。
她不僅強調了印度作為全球音樂強國的地位，還強調了我們現在做出的決定將如何塑造音樂的下一個十年。
「我們必須選擇一條重視創造力、保護人類表達並倡導行業中每個人公平的道路。我們絕不能忘記音樂是由人創造的，為人們而創作的，“她在演講中說。
這次演講得到了很好的報導 - 如果有興趣的話，我已鏈接到全球音樂商業文章。

IFPI in India

IFPI has also continued its on-the-ground efforts over the summer, engaging with last week's All About Music Conference.
Travelling to Mumbai, Vikki delivered a keynote speech at the conference, underlining some of our key messages around AI and music.
Not only did she emphasise India’s position as a great global music powerhouse, but also how the decisions we make now will shape the next decade of music.
"We must choose a path that values creativity, protects human expression, and champions fairness for everyone in the industry. We must never forget that music is made by people, for people," she said in her speech.
The speech got great coverage - and I've linked to the Music Business Worldwide piece here if of interest.

 三、英國 BBC 近期報導了一則案例，主角是英國歌手 Emily Portman。

她發現一張完整的 AI 生成專輯 以她的名義被上傳到串流平台。

• · 專輯名為《Orca》，音樂明顯是由 AI 所製作。
• · Portman 認為該 AI 系統「很可能是透過訓練我的作品」才生成這些歌曲。
• · 這突顯出即便是規模較小或獨立的音樂人，也可能遭遇被 AI 假冒的風險。
• · 假專輯與假歌曲正不斷出現在 Spotify 與其他數位串流平台上，有時甚至直接掛在真實音樂人的名下。
• · 一些已故音樂人也被「推出」AI 生成的「新作品」，引發倫理與法律爭議。

AI 濫用並非僅影響知名大牌歌手，而是波及所有層級的音樂人。

• · 因此迫切需要：
  • o 更嚴格的智慧財產權執行，特別是在串流平台上。
  • o 更清楚的訓練數據與同意規則，避免未經授權的學習。
  • o 透明化要求，讓聽眾能區分人類作品與 AI 作品。

On the topic of AI, I thought I'd share an interesting article recently published by the BBC.   
The piece follows Emily Portman, a British singer that had a whole AI-generated album imitating her work posted on streaming services.
"It was called Orca, and it was music that was evidently AI-generated, but it had been cleverly trained, I think, on me," Portman says.
It follows the growing trend of artists being targeted by fake albums or songs that suddenly appear on their pages on Spotify and other streaming services.
Even dead musicians have had AI-generated "new" material added to their catalogues, the piece says.

The article could be used to show policymakers how AI isn't just impacting big artists - but also the smaller, up-and-coming musicians.